Nice: Difference between revisions
Knorrepoes (talk | contribs) m (Text replacement - "lau.jpg|250 px|center]] <br/>The arms" to "lau.jpg|250 px|center|Blason de {{PAGENAME}}]] <br/>The arms") |
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|align="center"|[[File:nice.hagfr.jpg|center]] <br/>The arms in the [[Café Sanka : La France Héraldique|Café Sanka album]] +/- 1932 | |align="center"|[[File:nice.hagfr.jpg|center|Blason de {{PAGENAME}}]] <br/>The arms in the [[Café Sanka : La France Héraldique|Café Sanka album]] +/- 1932 | ||
|align="center"|[[File:nice.lau.jpg|250 px|center|Blason de {{PAGENAME}}]] <br/>The arms on a tobacco card by [[Laurens (Villes de France) |Laurens]] | |align="center"|[[File:nice.lau.jpg|250 px|center|Blason de {{PAGENAME}}]] <br/>The arms on a tobacco card by [[Laurens (Villes de France) |Laurens]] | ||
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Revision as of 15:06, 5 March 2016
Template:France NICE
Département : Alpes-Maritimes
Official blazon
Origin/meaning
First recorded in 1431, the Red Eagle on three mounts becomes the standard representation of the city and the County only during the 16th Century. In 1502, the blue sea is added at the foot of the mounts (which by tradition represents the three hills on which the city was founded (the Greek city, the Roman city and Montalban). In 1578, a crown was added on the head of the eagle, and after the first French occupation (1695-1705) the Countal Crown and the palms are added to the shield. The inscription "Nicaea Civitas" at the bottom would be a later addition during the Piedmontese restauration of 1814.
Napoleon granted Nice rather different arms, see below, Which were abolished in 1814.
 The arms in the Café Sanka album +/- 1932 |
 The arms on a tobacco card by Laurens |
 The arms on a postcard by Barré Dayez |
 The arms on a postcard by Kroma |
 The arms on a postcard by Maurice Jacquez |
 The arms on a trade card from Félix Potin |
 The arms in the city (image by Jan-Erik Løken) |
 The arms on a stamp |
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© since 1995, Heraldry of the World, Ralf Hartemink 
Index of the site
Literature : Image taken from La banque du blason (with permission); Ciaudo, 1992